![]() ![]() If the majority of your show is going back and forth between two shots, there’s also an option to have the Go Button swap the Preview and Live Screens, which is very efficient. Transition presets include a traditional Cut, the ever-popular Smooth (crossfade), the somewhat cheesy Page Curl, and many others.Īdditionally, you can set Wirecast to Auto Live which allows you to immediately send whatever shot you select to go to the Live Screen without having to load it into the Preview Screen. There are two buttons next to the Go Button that allow you to load up one of the presets for ease of use. ![]() You can also set how you want the current clip to transition to the next. Nothing goes into the Live Screen until you hit the Go Button (an arrow facing right - hard to mistake its meaning). You can only have one shot selected on each layer at a time. With a set-up like that you can have consistent audio running the entire time (Layer 3) while easily swapping out footage and lower thirds as the show moves forward. ![]() For example, you can put a bunch of lower thirds into Layer 1, your main video options (footage, host, etc.) in Layer 2, and the main audio in Layer 3. The first layer is on top of the second and so on. The Master Layers work like most other programs with layers. Underneath those screens are five Master Layers for shot selections that you’ve built. In the main window you have a Preview Screen and a Live Screen. On the surface, all of the options seem overwhelming, but once you get into everything it all makes sense and is actually very simple. You’re able to bring in content from multiple sources, layer as many elements as you want and edit your broadcast live. I’m currently using Telestream’s Wirecast 5, and it is very powerful. Especially now that I’ve been doing more and more broadcasts with Wirecast. Looking back on my set up for Extra Life (Blackmagic Media Express > Cam Twist > Flash Media Encoder) I wish I would have just thrown the money down for Wirecast and had peace of mind throughout the entire event. Granted it’s a pain to get working and isn’t nearly as seamless or sturdy, but it’ll get you through a single run. I found that if you only plan on doing one broadcast, there are other free ways of broadcasting. Wirecast seemed to be the best bet but it’s price tag was $499 – a bit hefty for a one-time event. I work primarily on Mac and don’t enjoy being bound to subscription services especially if I have a choice. Unfortunately, XSplit is not only subscription-based but is also only available on PC. I found two major competitors out there that seemed to do everything needed for broadcasting: XSplit and Telestream’s Wirecast. I started researching the right tool for the job. Representing my video game review site, I chose to participate with a couple of friends and stream it out to the world. Many of the gamers wanted to broadcast their gameplay. Gamers around the world sit down and play video games (or any kind of game really) for 25 hours while others “sponsor” their group with donations. Then, near the end of last year, an annual charity event called Extra Life piqued my interest.Įxtra Life is a 25-hour gaming marathon to raise money for childrens’ hospitals. I also had no idea how any of it was done. Until recently, I had no need to broadcast anything online. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |